Shout-out

Nov. 15th, 2018 10:39 pm
bcholmes: (comics code authority)

I went down to Glad Day book store tonight: we had a bit of a launch party to celebrate that we’ve officially started the Kickstarter campaign for the Shout Out anthology.

Our publisher, Steven Andrews, has done an amazing job on the Kickstarter planning as well as organizing the graphics, rewards, and video script. He’s hired a very good video editor: the video looks really nice. And he showed up at the launch party with some preview samples. (They even say “Special Preview” on the cover!).

The response to the Kickstarter has been amazing. As I’m writing this, we’re thisclose a third-of-the-way funded on day one.

Mirrored from Under the Beret.

ShoutOut

May. 11th, 2018 03:52 pm
bcholmes: (comics)

Mirrored from Under the Beret.

bcholmes: (comics)

Mirrored from Under the Beret.

bcholmes: (comics code authority)

Urk. I’ve done it. I’ve ordered a Cintiq.

Mirrored from Under the Beret.

bcholmes: (comics code authority)

I think I first encountered this video at least a year ago. Maybe two. It’s one of a series that Smith Micro Graphics made to raise the profile of Manga Studio (now called Clip Studio Paint and Manga Studio Ex is now called Clip Studio Pro).

The presenter is an artist by the name of D.M. Cumbo, who has been working on an illustrated story called Dreamside. At about the time that Smith Micro released the video, D.M. Cumbo was also making a number of videos about different Manga Studio techniques, but he’s gone a bit quiet on that front lately.

Cumbo’s art really stands out to me because of the vibrancy of colour that he achieves. In a later video, he says that vibrancy is really all about contrast, and that picking colours that contrast well is the key to creating vibrant images. He also really pushes the idea of bounce-back lighting in a number of his videos: he says that things really look “in the environment” when you can see the colours of the environment reflecting back on a figure or object in that environment.

There are three techniques that Cumbo describes in this video that interest me:

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Mirrored from Under the Beret.

bcholmes: (comics code authority)

This week, the Shuster Award nominations were announced, and for the third year in a row, the Toronto Comics anthology has been nominated for the Gene Day Award for self-published comics. We’ve lost out the last two years, and I don’t really expect this year to go any differently but, as they say, it’s an honour to be nominated.

Because of eligibility date requirements, the nomination was for Volume 3, which came out in 2016. But it’s 2017 now, and there’s a fourth volume. This year, the editors dispensed with the “Volume X” subtitle, and gave the book its own swanky subtitle: Yonge at Heart! This year’s book is a bit smaller (in a “number of pages” sense) than previous years, but what it lacks in pages it makes up for with vibrant colour! And, boy howdy, does that colour make for some gorgeous pages.

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Mirrored from Under the Beret.

bcholmes: (comics code authority)

I’m continuing to pour a lot of my creative energy into comics. I’ve had a few things going on in that world.

Toronto Comics Volume 3 - smallFirst up, I’ve taken part in the third volume of Toronto Comics (the book seems to have dropped the “Anthology” part of the name). I wrote a story this year — “Lofty Aspirations” — but didn’t draw it. Instead, it was illustrated by Xan Grey, an amazingly talented artist, who’s been in the last two anthologies.

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Mirrored from Under the Beret.

bcholmes: (comics)

Do any of my friends understand military uniforms? I’m especially interested in WW2-era US Army uniforms, for a comic project.

There are some details that I haven’t been able to make sense of and I’d love some insights.

Mirrored from Under the Beret.

bcholmes: (comics)

Lettering Guide Do you ever have one of those days where you’re, like, “Y’know, I’m not sure I know where my lettering guide is. Has it been more than three years since I’ve used it?”

Mirrored from Under the Beret.

Nomination

Sep. 3rd, 2015 08:47 pm
bcholmes: (comics)

The first volume of the Toronto Comics anthology has been nominated for a Gene Day Award for self-published (Canadian?) comic.

Mirrored from Under the Beret.

bcholmes: (comics)

22-page story mapOne of the things that Ty taught in his writing class was story maps. Basically, (in the form he was teaching us) they’re a simple device for planning a basic comic script. Obviously, story maps aren’t unique to comic writing, but Ty’s technique for using them is pretty specific to mainstream comics publishing.

Here’s an example of a story map that he filled out — I’ve seen this particular example used to provide a visual aid for his Writing Comics course. He also hands out blank versions in his class — I scanned one and redrew it in Illustrator because I like doing stuff electronically.

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bcholmes: (comics)

So, j00j suggested that I write something about comics. That’s a big topic for me, and has several dimensions. I mean there’s the whole “my history reading comics” angle, and the “comics I like” angle, and the “what tools am I using to make comics?” angle and even the “what comics am I working on?” angle.

So I’m gonna try all of that. But probably not all in one post. First, history.

JLA_v.1_100I’ve said before that the house I grew up in didn’t really have many books. My parents weren’t readers, and I didn’t start reading until they taught it in school. I attended Rosedale Public School for nine years (kindergarten to grade 8 school). There wasn’t much distinctive about Rosedale. It was built in the mid-fifties, and had two classes of each grade. The classes for grades two and three laid out in an open concept in an area that surrounded the school’s library (although we never called it a library; it was apparently a “resource centre”).

Anyway, in grade three (1974/1975), the teachers introduced a reading period, and encouraged kids to bring books to read, and to show them off to other students. And that was how I was first introduced to comics. Several other kids had comic books. Popular books at the time included Richie Rich and Baby Huey and Hot Stuff, the Little Devil, but I was most fascinated by one comic in particular: Justice League of America #100.

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Mirrored from Under the Beret.

bcholmes: (comics)

I’m starting the art chores on a new comics project, and I’m finding process to be an interesting thing to think about. First thing I did was spend a few hours putting together a template.

The page size for this project is different than the page size for the last project, so my template from that project doesn’t fit. Unlike the last project, this time, the book’s editors distributed a template, with page size, bleed and trim. And it’s just fine, but it has text and stuff on it, and I want something cleaner.

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Mirrored from Under the Beret.

bcholmes: (comics)

Did I mention that I joined an art studio? There’s a cool bunch of folks who have a studio called The Comic Book Embassy. It happens to share space with the Comic Book Bootcamp, which is where I did all the most-recent comic book courses I took. At the beginning of the month, I joined the studio to give me a space to focus on my comic-creation.

Early September wasn’t the best time to do that, mind you. I’ve been tied up with the film festival, so I’ve barely had time to do more than just drop in to the studio and take a coupl’a items there. On Tuesday, one of my few nights without a film, I planned to drop some things off at the studio, but I was turned away by the police. They’d blocked off an entire section of Spadina Ave., which is a pretty unusual occurrence. They weren’t letting cars through; they weren’t letting people on the sidewalk; they weren’t letting people at the studio/bootcamp leave the building. This ended up being the subject of Ty’s Bun Toon this week.

At the time of the lockdown, there were numerous news stories about a sighting of people with a sniper rifle on the roof of one of the Spadina buildings. The situation ended around 10pm-ish, with the discovery that some kids were playing parkour and had a toy rifle. Nonetheless, news outlets don’t seem interested in clarifying just how non-threatening the situation was.

Mirrored from Under the Beret.

bcholmes: (comics code authority)

Toronto Comics Anthology Cover Back in, like, April I heard about a gang of folks in the Toronto comics scene who were gonna get together to make a comics anthology. Most of the people involved — maybe even all of them — had been through Ty’s comics classes, and folks wanted a nicely-printed collection to showcase our work. So we chipped in on printing costs and accepted a unifying theme (“Toronto!”) and then rolled up our sleeves.

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Mirrored from Under the Beret.

bcholmes: (comics)

I’ve been experimenting with Manga Studio recently. There’s some stuff about it that I like (vectors and raster on the same drawing!), but every once in a while, I’m gobsmacked by the dumb. Like this:

Manga Studio rulers

If you turn on the canvas rulers, it marks out the measurements in whatever unit your canvas uses — I tend to go with inches. But it doesn’t give you, say, eighth-of-an-inch increments. It’s whole inches. Yargh.

Sure, I can switch over to cm or pixels, but why?

Mirrored from Under the Beret.

bcholmes: I don't know how much longer I can hold this. (miles dyson)

All-Negro Comics #1I just noticed that, last month, the Digital Comics Museum managed to get its hands on a complete copy of All-Negro Comics #1. This is an extremely rare, and fairly important comic. I wrote about this comic a few years ago on my Dreamwidth account.

As I said, the book is fairly rare. The copy that DCM is now hosting was scanned from a physical book that, it appears, was sold for about $5,400. That’s nothing compared to, say, Detective Comics #27 (Batman’s first appearance — one copy sold for $2.5 million). Collectors suggest that there might be fewer than 100 copies still in existence of Action Comics #1 — the first appearance of Superman. But some people think that there may be no more than 10 copies of All-Negro Comics #1 remaining. The DCM scan helps archive the material.

Sadly, as I said the last time I wrote about this book, only one issue of this title was ever published. The publisher, Orrin C. Evans was basically shut out of the comic industry when no one would sell him paper to publish the second issue.

Mirrored from Under the Beret.

bcholmes: (comics)

I popped in to FanExpo yesterday, and I got to see the final, printed issues of Holmes Inc #4. Keiren was staffing the Comic Book Bootcamp booth, and had a number of issues available (but not as many as she expected due to the printer having a slight case of being terrible and unreliable. And boy was she smack-talking them).

HolmesInc4AtFanExpo

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Mirrored from Under the Beret.

bcholmes: (comics)

I’ve been waffling about posting my final pages. The editor-types don’t want me to post all pages (’cause, hey, people should get the book if they want to see all the pages). But here are a couple.

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