bcholmes: (comics code authority)

I think I first encountered this video at least a year ago. Maybe two. It’s one of a series that Smith Micro Graphics made to raise the profile of Manga Studio (now called Clip Studio Paint and Manga Studio Ex is now called Clip Studio Pro).

The presenter is an artist by the name of D.M. Cumbo, who has been working on an illustrated story called Dreamside. At about the time that Smith Micro released the video, D.M. Cumbo was also making a number of videos about different Manga Studio techniques, but he’s gone a bit quiet on that front lately.

Cumbo’s art really stands out to me because of the vibrancy of colour that he achieves. In a later video, he says that vibrancy is really all about contrast, and that picking colours that contrast well is the key to creating vibrant images. He also really pushes the idea of bounce-back lighting in a number of his videos: he says that things really look “in the environment” when you can see the colours of the environment reflecting back on a figure or object in that environment.

There are three techniques that Cumbo describes in this video that interest me:

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Mirrored from Under the Beret.

bcholmes: (comics code authority)

This week, the Shuster Award nominations were announced, and for the third year in a row, the Toronto Comics anthology has been nominated for the Gene Day Award for self-published comics. We’ve lost out the last two years, and I don’t really expect this year to go any differently but, as they say, it’s an honour to be nominated.

Because of eligibility date requirements, the nomination was for Volume 3, which came out in 2016. But it’s 2017 now, and there’s a fourth volume. This year, the editors dispensed with the “Volume X” subtitle, and gave the book its own swanky subtitle: Yonge at Heart! This year’s book is a bit smaller (in a “number of pages” sense) than previous years, but what it lacks in pages it makes up for with vibrant colour! And, boy howdy, does that colour make for some gorgeous pages.

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Mirrored from Under the Beret.

bcholmes: (beret)

I tried my hand, this weekend, on a particular technique for digital inking using Illustrator. I started with a pencil sketch by Jack Kirby (published in one of the Jack Kirby reader books).

Original Pencils by Jack Kirby

I scanned the image and popped it into Illustrator, then saturated it with blue, to make it easier to differentiate the pencils from the inks. I downloaded a specific Illustrator template from Cartoon SNAP, and tried out their inking brushes. Here’s an image in progress:

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Mirrored from Under the Beret.

bcholmes: (comics)

I’m currently on vacation. Which, y’know, is pretty awesome. I spent a coupl’a days in do-nothing mode, sitting on my couch and watching movies. Which is about all that I’m capable of when work has drained me somewhat.

But now I’m in pet-project mode: I want to focus on something interesting. My pet project has been about going digital on the cartooning stuff. None of the instructors I’ve had have been terribly positive about computer-based art. Anthony (my primary instructor during my cartooning programme at George Brown) didn’t quite poo-poo digital art, but fundamentally believed that one had to learn how to draw using traditional tools before learning digital art. He also felt that most of the computer-produced art that he’d seen was very flat and lacked expressiveness.

Ty hasn’t taught us anything related to computers — he seems to draw and ink using traditional media, but he uses tools that Anthony would have turned his nose up at (markers! Pen brushes! Oh noes!) Ty also seemed to think that it was pointless to learn hand-lettering because nobody hand-letters these days. (I notice that Bechdel’s Are You My Mother? seems computer-lettered, whereas Fun Home looked hand-lettered). And Ty’s Bun Toons often include digital colouring and probably a bunch of other computer tweaks. So he seems more pragmatic about the use of computers than Anthony ever did.

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Mirrored from Under the Beret.

bcholmes: (comics)

I must have really turned a corner on my apprehensions of my Writing class because I’m really excited about tomorrow’s class and I CAN’T WAIT.

Mirrored from Under the Beret.

bcholmes: I poison you! (Circe Invidiosa)

What do people think of the Writer’s Workshops that take place at WisCon? Has anyone on my friends list tried one? Impressions?

Mirrored from Under the Beret.

bcholmes: (meshes in the afternoon)

I bought this last month, but I only just now got my hands on the actual picture because it was part of a gallery showing that recently ended.

I’ve been following Michael Cho‘s blog for a while, and have quite enjoyed his “back alleys of Toronto” series of paintings. I got a print at TCAF a year and a half ago. But now I own an original. w00t!

Mirrored from Under the Beret.

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BC Holmes

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