Sep. 11th, 2013

bcholmes: shadows moving faster than the eye (magic shadows)

My sixth film was my first dud. It was the first film where, in the latter part of the showing, I found myself thinking, “Is this going to end soon? My butt hurts.” I have spent a lot of time thinking about it, since, because I think the message of the film makes me annoyed.

The film is called The Militant (or El Lugar Del Hijo, which Google translates as “The Place of the Child”), and it’s an Uruguayan film.

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Mirrored from Under the Beret.

bcholmes: shadows moving faster than the eye (magic shadows)

Film # 7 was called Cristo Rey, and it’s kinda made around this premise: what would Romeo and Juliet look like if it was set in the modern-day in a dangerous barrio of the Dominican Republic and the impossible romance was between the sister of a Dominican drug dealer and a Haitian immigrant?

Janvier, often just referred to as “The Haitian,” is the son of an undocumented Haitian mother and a Dominican father — Janvier’s birth was the product of an affair, and he didn’t grow up with his father. But he has a half-brother Rudy who seems to mostly be playing the role of Paris in this show. Jocelyn is the younger sister to a major drug dealer, El Bacá. El Bacá has been living and hiding out in Cristo Rey, a dangerous slum in Santo Domingo, the Domincan Republic. It happens that Jocelyn and Rudy previously dated, and although Rudy wants to resume the relationship, Jocelyn’s not interested because he cheated on her.

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Mirrored from Under the Beret.

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