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Explosive Decompression
One of the things that’s weird to work with in the Holmes, Inc. class is the extremely compressed story-telling. In many ways, this writing feels like Golden Age comics: full stories are being told in a small number of pages. The folks who are doing both writer and artist duties have 5 pages to work with; people who are solely-writers or solely-artists have 7 pages. That’s not a lot of story-telling space. And, in particular, I find this degree of compression makes it hard to give things nuance.
And one of the consequences of that, is a reliance on story-telling shorthand. Characters are simply “bad guys” or people who give us information. Cute kid. Evil, but less-than-effective henchmen. Kidnappee. Mm.
Mirrored from Under the Beret.